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M once all revenue streams are accounted. Warner Bros provided no comment about Bv. S projections. Financial analysts today assembled a bare- minimum projection for the Zack Snyder movie, which is projected to turn in a domestic B. Thumb stream costs revenue profit; Domestic B.O. Domestic Rental: $206.3M: Est. Free Contests and promotions in Canada from Tribute.ca. Enter for your change to win trips, movie passes, DVDs and much more. O. We’ve heard that any B. O. Some sources think there’s a possibility that Bv. S could hit $1. B globally, and that’s because nothing is standing in the pic’s way. Disney’s live- action/CGI version of The Jungle Bookdebuts April 8 in Australia, Argentina, Russia and Southeast Asia (1. April 1. 5 stateside. Seventy percent of international will bow day- and- date with U. S. Universal’s The Huntsman: Winter’s War starts its journey abroad in 2. April 6 and lands in U. S./Canada and everywhere else April 2. Currently, exhibitors are projecting a 6. Bv. S this weekend, or $7. M (we heard some exhibitors weren’t overly thrilled, but if it’s making money, that’s not going to stop them from showing it). In regards to its tracking,The Jungle Book conceivably could open to $6. M in No. 1 stateside, fueled by female and older male quadrants. Last year, after F7 opened over Easter weekend, it held the top spot for four frames until Avengers: Age of Ultron launched the summer. In the rundown below, foreign rentals are figured at 4. U. S./Canadian money comes back to Burbank at an average 5. B. O. We’ve also heard that worldwide P& A rose from $1. M to $1. 65. M at the last minute “because Warner Bros had to make sure this picture opened,” said another source. Pricey P& A is never a bad thing: It means that the studio gave a damn and invested in the movie. Had it not spent, and Bv. S didn’t open, then that would be bad. Global home entertainment revenues (that includes SVOD) for Bv. S are estimated at $2. M, which would be less than the $3. M made by Age of Ultron. Worldwide TV revenue at $1. M would also be estimated to be under Ultron. Participations and residual payouts to the Bv. S cast are estimated at $9. M, which is $1. 0M less than Ultron. Note, this is before any merchandising is taken into consideration. Three years ago, The Licensing Letter weighed global retails sales for Batman and Superman at $7. M combined. Gold Circle/Playtone/HBO’s My Big Fat Greek Wedding 2 via Uni came in under its Sunday projection with $1. M. An A- Cinema. Score gives it a 3. M. Not bad for a movie that cost $1. M. It will be interesting see if it will be even bigger given the fact that the over- 5. Easter boosted Sony/Affirm’s faith- based fare to higher ranks: Miracles From Heaven overtook Lionsgate’s Allegiant for fourth place, while Risen cracked the top 1. Below are the top 2. Com. Score: 1). Batman v Superman (WB), 4,2. M/ Per screen avg.: $3. Wk 1*includes $2. M previews. 2). Zootopia (DIS), 3,6. M (- 3. 5%)/Per screen: $6,5. Total Cume: $2. 41. M/Wk 4. 3). My Big Fat Greek Wedding 2 (UNI), 3,1. M / Per screen: $5,7. Wk 1+includes $1. M Thursday previews. Miracles From Heaven (SONY), 3,0. M (- 3. 5%)/ Per screen: $3,1. Total Cume: $3. 4. M/ Wk 2. 5). Allegiant (LG), 3,7. M (- 6. 7%)/ Per screen: $2,5. Total cume: $4. 6. M /Wk 2. 6). 1. 0 Cloverfield Lane (PAR), 2,8. M (- 5. 3%)/ Per screen: $2,1. Total cume: $5. 5. M / Wk 3. 7). Deadpool (FOX), 2,3. M (- 3. 9%) / Per screen: $2,0. Total Cume: $3. 49. M / Wk 6. 8). London Has Fallen (FOC), 2,1. M (- 5. 6%)/ Per screen: $1,3. Total Cume: $5. 5. M/ Wk 4. 9) Hello, My Name Is Doris (RSA), 4. M (+6. 7%)/ Per screen: $3,4. Total Cume: $3. 2. M/ Wk 3. 10). Risen (SONY), 6. K (- 1. 8%) / Per screen: $1,4. Total Cume: $3. 6M /Wk 6. Eye in the Sky (BLST), 1. K (+1. 21%)/ Per screen: $7,5. Total Cume: $1. 6. M/ Wk 3. 12). Whiskey Tango Foxtrot (PAR), 8. K (- 6. 8%) / Per screen: $1,0. Total Cume: $2. 1. M /Wk 4. 13). Star Wars: The Force Awakens (DIS), 5. K (- 1. 5%)/ Per screen: $1,4. Total cume: $9. 33. M / Wk 1. 51. 4). The Perfect Match (LG), 6. K / Per screen: $1,0. Total cume: $8. 7. M /Wk 3. 15). Kapoor & Sons – Since 1 (FIP), 1. K (- 3. 9%)/ Per screen: $3,9. Total cume: $1. 9. M /Wk 2. 16). Kung Fu Panda 3 (DWA/FOX), 4. K (- 4. 2%) / Per screen: $1,1. Total cume: $1. 39. M / Wk 9. 17). The Revenant (FOX), 5. K (- 6. 3%) / Per screen: $8. Total cume: $1. 82. M / Wk 1. 41. 8). The Young Messiah (FOC), 8. K (- 7. 5%)/ Per screen: $3. Total cume: 6. 3. M / Wk 3. 19). How To Be Single (WB/MGM/New Line), 1. K (- 3. 8%)/ Per screen: $1,3. Total: $4. 6. 4. M/ Wk 7. Notables: Midnight Special (WB), 5 theaters/ 3- day cume: $1. K (- 4. 7%)/Per screen: $2. Total: $3. 61. K/ Wk 2. Born To Be Blue (IFC), 3 theaters/ 3- day cume: $4. K/ Per screen: $1. Wk 1. The Lobster (MON), 7 theaters/ 3- day cume: $5. K/ Per screen: $ / Wk 1. Canadian release. I Saw the Light (SPC), 5 theaters/3- day cume: $4. K/Per screen: $9,0. Wk 1. The Bronze (SPC), 3. K (- 9. 3%)/ Per screen: $8. Total: $6. 01. K/ Wk 2. April and the Extraordinary World (GKIDS), 1 theaters/3- day cume: $1. Wk 1. Valley Of Love (STRAND), 2 theaters/ 3- day cume: $1. K/ Per screen: $4,9. Wk 1. Get A Job (LGP), 1. K/ Per screen: $6. Wk 1. 7TH UPDATE: Monday AM. We’ll have more updates later, but Warner Bros.’ revised global opening for Batman v Superman: Dawn of Justice of $4. M still ranks as the fourth highest worldwide debut on the all- time chart, still outstripping Furious 7. A rival studio executive pointed out that Avengers didn’t include China, Russia or Japan in its opening. However, records are records, and if we got into specifics, we’d be asterisking the entire all- time openers chart. Nancy Tartaglione breaks down Bv. S overseas further. As many in the industry saw yesterday morning (and we pointed this out), Bv. S revised stateside take of $1. M didn’t beat Harry Potter and the Deathly Hallows – Part 2. One financial analyst made a sharp observation about the Bv. S opening: with a running time of 1. Star Wars: The Force Awakens was 1. Avengers: Age of Ultron was 1. AMC Empire was one of the standout venues in the U. S. Batman V Superman: Dawn of Justice didn’t beat The Avengers in the United States ($2. M), but worldwide it punched out the Marvel hero team with a $4. M debut. That beats Avengers’ $3. M opening, and is the fourth highest global bow of all- time, even outflying Universal’s Furious 7. Even more, Bv. S is a big win for franchised properties on the big screen, triumphing over last year’s pricey gambles greenlit by Warner Bros. As one rival studio executive exclaimed today after looking at Bv. S’ success, “I don’t think anyone read the reviews!” Advance ticket sales firms are reporting that Bv. S is already generating 3. Warner Bros. Yesterday’s estimates of $4. M for a second- day take were bumped up this morning to $5. M. Bv. S’ stateside $1. M haul marks a studio best for Warner Bros., taking out Harry Potter and the Deathly Hallows – Part 2. Bv. S easily owns the following records: best pre- summer and March openings, beating The Hunger Games’ $1. M, and best Easter opening, kicking aside Furious 7’s $1. M. Bv. S has also beaten up The Dark Knight Rises ($1. M), and The Dark Knight’s first frames ($1. M) to become the best debut for a DC Comics big screen adaptation. Everyone is expecting Bv. S to follow the path of most top 1. Easter Sunday. Only faith- based pics like Miracles of Heaven and Risen are seeing a more modest 1. Saturday. Other records taken by Bv. S: best opening for Ben Affleck (beats Pearl Harbor. To date, Bv. S is also the best FSS for the year, trumping Deadpool. The projection is that the B Cinema. Score — of which there were 2. A- and 4. 0% under- 2. B+ — will translate into a 2. Bv. S’ final tally at $3. M stateside. There’s a lot to be said for Warner Bros.’ decision to book a summer blockbuster on Easter weekend. We have all this headroom moving forward.” F7 played at No. Avengers: Age of Ultron opened during the first weekend of May. Bv. S might do the same unless it’s tripped up by Disney’s The Jungle Book and Uni’s The Huntsman: Winter’s War. Typically, New York and LA put up the best theater openings for tentpoles, but looking at Bv. S’s top grossing venues indicates the film played strong across the nation: NYC’s AMC Empire played the title 5. K, but ranking second was The Garden State Plaza in Paramus, NJ, taking $2. K on Friday and Saturday. At third was Burbank’s AMC with $2. K, followed by San Antonio’s Santikos Palladium Imax at $2. K and Regal’s Atlantic Station in Atlanta with $2. K. Imax showings of Bv. S pulled in $1. 8M at 3. Easter FSS ever, beating last year’s F7. That figure reps 1. K. PLFs made up 1. Bv. S FSS with $1. M. Cinemark XD’s auditoriums were tops with $3. M. Forty- percent of the pic’s opening B. O. Real. D 3. D accounted for an estimated $4. M of Bv. S. This was fueled by Snyder, Affleck and Gal Gadot’s Twitter handles. The Bv. S official FB page added 1. K new fans in 2 days just surpassing 4. M total fans. And on You. Tube, the top 9 videos are all tracking above 1. K with an SMU lift of 1. M since Thursday previews, now up to 7. M. Warner Bros. The studio continued to hit the confab twice more with updates, teasers and trailers. Last weekend, there was a fully stunted junket in Los Angeles on the Warner lot. The studio created an immersive environment using set builds, props and costumes. In addition, the studio leaned on movie fanboy mags like Entertainment Weekly and U. K.’s Empire when dropping photos and news throughout the last two and half years. Other key publicity spikes included an appearance on Jimmy Kimmel Live. 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A Negod Gwad Production in Co- Production with ZDF/ARTE; producer- director & editor, Haile Gerima; production manager, Solomon Bekele; director of cinematography, Agustin Cubano; sound, Albert Bailey; traditional music arranged by Mulatu Astatke. With brilliant military intelligence and gallant generals at the helm, united and willed, the Ethiopian people fought their way to triumph over the Italians at the Battle of Adwa. The event ignited a lasting flame of hope, of freedom and independence in the hearts of African throughout the world. Haile Gerima, the director and producer, joins the voices of Ethiopian historians, elders, priests, poets and singers, capturing on film the powerful education and experience that shaped his consciousness. In a collage of Ethiopian landscapes, paintings, photographs and faces, the film illuminates one of the hidden sources of African empowerment. Adwa, an African victory. Bulter Media Research Collection, DVD6. Africa. Written and presented by Basil Davidson ; directed by John Percival, Christopher Ralling, Andrew Harries, and Mick Csaky. Davidson shows that Africa gave rise to some of the world's greatest civilizations. There, a king still holds court in his 1. Then new kinds of interlopers came: explorers, missionaries, and Cecil Rhodes. Nearly all of Africa became subject to colonial rule until World War II. Interviews with political leaders illuminate the problems and successes of Africa today. Produced by Time- Life Video and Television. Executive producer, Joel Westbrook ; series producer, Jason Williams ; producer, David Dugan ; coordinating producer, William Morgan. Sam Waterston, narrator. 02.02.2017 2017 / 201702. Through these online networks. Bill Ashcroft Post-Colonial Tr - Ebook download as PDF File (.pdf), Text File (.txt) or read book online. Alice naked resident evil. Torrent download magnet watch online torrent russian redhead teen. Free homemade porn full length. Filmed in Zimbabwe and Tanzania. About 4. 8 minutes in length. A history of theories and white fantasies surrounding Great Zimbabwe and the gold trade in East Africa. Features on- screen comments by Peter Garlake, Stanlake Samkange, Michael Horton, and Ali A. The film reviews the theories of archaeologists- -past and present. Actors are seen portraying: white adventurers and archaeologists; Great Zimbabwe priests, kings, and commoners; and, Swahili rulers and foreign traders. There are also several speculative . The film ends with some reflections on the bizarre . BFA Educational Media ; written and produced by Wayne Mitchell. Louis, MO: Phoenix Learning Group, c. Also examines the impact of modernization and urbanization on the African continent. International Film Foundation, Inc.; written and produced by Sam Bryan; narrated by Athmani Magoma. Includes scenes of primary schools and universities, commercial and family farms, religious services, and a political rally. Africa, a new look (1. Barnard Media, DT3. A3. 3 1. 98. 1Africa come back: the popular music of West Africa. A Third Eye Productions, Ltd. This program looks at the popular music scene in Ghana and West Africa documenting the history of musical genres such as hi- life, presenting the sounds of the palm wine guitar, the plangent harmonies of nnwonkoro, and the polyrhythms of kpanlogo.
Africa come back: the popular music of West Africa. Barnard Media, DVD ML3. A3. 7 2. 00. 3g. Africa: dispatches from a fragile continent: book review and interview with Blaine Harden. Dialogue in English and multiple languages; subtitles in English. Includes: Pumzi / by Wanuri Kahiu (2. Un transporte en commun = Saint Louis blues / by Dyana Gaye (4. Tunnel / by Jenna Bass (2. Abyss boys / Jan- Hendrik Beetge (2. Pumzi: A futuristic film set in Nairobi, Kenya where the outdoors is extinct and has been outlawed. Saint Louis blues (also called N'Dar): A musical about a cross- country trip through Senegal in a battered taxi, as passengers sing their stories. The tunnel: In a small village in Zimbabwe terrorized by soldiers just after independence, a little girl creates a fantasy where her father escapes to freedom through a tunnel. The abyss boys: Two brothers who are abalone poachers in a South African fishing village try to escape their lives- -but trying to escape causes their own destruction. Africa First, Volume 1. Bulter Media Research Collection, DVD2. Africa is a woman's name Videorecording. Transparent Productions presents; in collaboration with Agencia Espa. In Shona, Zulu, Kikuyu, and English with English subtitles. Watch Film Resident Evil: Insurgence 2017 Online Full-length WorkoutDirected by Elizabeth C. Jones; written by Sorious Samura; producer, George Waldrum. Producer/director, Carol Pineau. DVD format. Profiles ten entrepreneurs from ten different African countries who tell their own stories about how they overcame obstacles to build successful businesses. Africa: open for business (2. Bulter Media Research Collection, DVD 5. Africa paradis = Africa paradise. In French, with English subtitles. In the future, Europe declines after suffering acute economic and political crises, while a united Africa thrives. A French couple, Olivier, an engineer, and Pauline, a French instructor, decide to immigrate to the United States of Africa in search of a better life. Denied entry visas, they seek the services of a trafficker. From then on, their life is turned upside down as they experience life as illegal immigrants, victims of political exploitation who are unable to find decent employment. Plus, special features: . Equality Now presents; directed and produced by Paula Heredia; edited by Paula Heredia, Anne Alvergue; writer consultant, Laurens Grant; principal photography, Susan Muska, Greta Olafsdottir; principal photography, Mali, Kenya, UK, Paula Heredia; narrated by Efua Dorkenoo. About 6. 2 minutes. In English, French, Somali, and Swahili, with English subtitles. The film follows various activists in Tanzania, Somalia, Kenya, and Mali. A production of Common Ground Productions, The Media Peace Centre, Ubuntu Television and Film ; series producers, Jonathan S. The video programs are part of a television series profiling formal efforts by various African countries to peacefully resolve contemporary conflicts. Each of the films in the program is introduced by John Matshikiza and others from a television studio in Cape Town, South Africa. Africa, search for common ground, Program 3: Rwanda & Burundi. Offsite . The second film examines Rwanda and Burundi where hate radio has been used to incite ethnic violence. But now in Burundi, radio is also being utilized as a means of building understanding and promoting reconciliation. Africa, search for common ground, Program 4: Mozambique & Angola. Offsite . The second film examines the social and environmental impact of the dam projects of the Lesotho Highlands Development Authority and the role of the Lesotho Council of Non- governmental Organizations. Africa, search for common ground, Program 9: S. A. Can the truth heal his wounds and those of his victims? We witness his testimony before the Commission, and his struggle to find a new life in the new South Africa. Africa, search for common ground, Program 1. Algeria, the life and death of Algerian journalists. Offsite . The second film profiles Wangari Maathai and the Green Belt movement, a tree- planting campaign organized by women in Kenya. Maathai's place in Kenyan opposition politics is emphasized. Africa united. Pictures and with the participation of Canal+ and Cine. Without papers, money or a believable story, they are escorted to a children's refugee camp. But with considerable ingenuity and sass (and a World Cup wall chart for a map), our pint- sized protagonists escape the camp and set off in pursuit of their dream, picking up along the way a . Created and produced by Linda Freeman ; executive producer, Lorraine E. Hall ; written and directed by David Irving; narrated by Dr. Mary Nooter Roberts ; editor, Tom Campbell; director of photography, Mike Harlow ; original music, Joshua Stone. African American artists series. This documentary is about Luba art and the relationship between women art, politics, religion, and history. Using artifacts from a 1. Museum for African Art in New York - - . Written by Christopher Moore ; executive producer, J. Peter Glaws, III ; produced and directed by David Kutz ; produced by Kutz Television Inc. |
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